Giorgio Facchini's historic jewels

Spatialism and the Space Age

In the 1960s, a historical period marked by interest in space and the imagery associated with lunar exploration, Giorgio Facchini explored the language of Spatialism, translating it into research applied to jewelry. By inserting small mechanical elements within the structure of his creations, he evoked the idea of space machines and introduced a dynamic dimension that transcends the static nature of the ornamental object

Movement, Light, and Changing Forms

Facchini's jewelry is designed to react to the movement of the body and interaction with light. The forms never remain fixed, but change visually according to their position and use, generating effects that amplify the sense of dynamism. The circular arrangement of the gems helps reinforce this perception, recalling mechanical or visual structures linked to spatial aesthetics.

Geometric Abstraction and the Use of Stones

In parallel with his research on movement, the artist developed a language based on geometric abstraction. Straight lines and curves intertwine to construct complex volumes, in which precious stones such as sapphires, emeralds, rubies, and diamonds are deliberately inserted. The gems are not merely decorative, but become an integral part of the jewelry's architecture, contributing to the

balance between form and space.

Textural Contrasts and Formal Rigour

The evolution of Giorgio Facchini's design is a continuous study of contrasts. Glossy and opaque surfaces, solids and voids, organic elements and more rigid structures coexist within the same creations. This constant dialogue is underpinned by his strong geometric precision, which maintains coherence and recognizability throughout the course of his research

Kinetic Art and Jewelry

Toward the end of the 1960s, with the emergence of kinetic art, the theme of movement became central to his work. His interest in the transformation of forms in three-dimensional space led Facchini to develop a truly kinetic jewelry style. In this phase, the artist focused particularly on necklaces and brooches, crafted in gold and silver, characterized by structures capable of changing visually according to their use and movement.

A consistent research over time

Giorgio Facchini's historical jewelry represents a meeting point between art, design, and experimentation. The body becomes the active space of the artwork, while the jewelry itself is configured as a living structure, in constant dialogue with the wearer and the environment. His research was consistent, rigorous, and deeply rooted in the cultural and artistic climate of his time.